The Scarlet Letter: The Use Of Hester :: essays research papers

In The Scarlet Letter, Nathaniel Hawthorne makes Hester Prynne the central figure in the theme much like Susanna Rowson does with Charlotte in Charlotte tabernacle. The plots of the books atomic number 18 centered on these women the storylines occasionally move elsewhere to inform the contributor of the happenings of other characters, besides always returns to their respective female protagonist. The authors use of their leading ladies differs when providing a theme, however.Susanna Rowson uses Charlotte temple as an example for the subscriber. By taking the reader on a journey through Charlottes life of perpetual misery, Rowsons narrator is able to point egress where Charlotte makes poor decisions. With the reader now awake of the misdirected choices of Charlotte, the narrator warns the reader that any young girl could end up in the same type of predicament. She then teaches the young female reader how she should react in a similar situation and the sober matron reader how to prevent such a dilemma from happening to her daughter. In summary, Charlotte Temples actions are used to directly teach the theme as Rowson wishes.Nathaniel Hawthorne uses his main character in a completely different way. It is parking area for a reader of The Scarlet Letter to determine that the theme of the story is that adultery is bad, but that is not the case. Hawthorne is not promoting adultery that is true As Darrel Abel states in his essay, Hawthornes Hester, Although we are expected to love and pity Hester, we are not invited to condone her fault or to construe it as a virtue.1 Hester Prynne and her lecherous sin are Hawthornes means of conveyancing a different message Hawthorne is more interested in unveil the flaws of puritan society and the hypocrisy of their reactions to Hester. The character of Hester Prynne is created as to exploit these flaws indirectly.The prude culture is one that recognizes Protestantism, a sect of Christianity. Though a staple fibre of Chr istianity is forgiveness for ones sins, this has long been forgotten amongst the women of Boston Morally, as well as materially, there was a coarser fibre in those wives and maidens of gray English birth and breeding, than in their fair decendants.2 When Hester is first brought out of her prison cell, the gossiping goodwives recommend much harsher punishments, from a brand on her forehead to death. Hester, who had done little wrong prior to this sin of adultery, is no longer seen as a human being, but merely as a symbol of evil and shame upon the town.